Latest item
- Jonathan Dunsby and Yannis Rammos. “Onset Asynchrony in Western Art Music: Fingers, Hammers, and Music Theory’s Ears.” Quodlibet 76 (2021): 126-158.
Selected publications
- Le compositeur, son oreille et ses machines à écrire, by Fabien Lévy. Reviewed in Music & Letters 99, no. 2 (2018): 309–312.
- Schumann’s Music and E.T.A. Hoffmann’s Fiction, by John MacAuslan. Reviewed in Notes 75, no. 1 (2018): 89–93.
- Review-Article on Advanced Schenkerian Analysis: Perspectives on Phrase Rhythm, Motive, and Form, by David Beach. Reviewed in Music Theory & Analysis 4, no. 1 (2017): 131–144.
- “Roland Barthes’s ‘Schumann’ Essays: Towards a Reinscription of Schenkerian Analytical Practice.” PhD diss., New York University, 2016.
- Rethinking Schumann, edited by Laura Tunbridge and Roe-Min Kok. Reviewed in Notes 69, no. 4 (2013): 775–778.
- Sounding the Virtual: Gilles Deleuze and the Theory and Philosophy of Music, edited by Brian Hulse and Nick Nesbitt. Reviewed in Notes 68, no. 2 (2011): 351–354.
Last updated: June 30, 2022